Spiritual Reflections - My Debut Exhibition. (part i)

Venue

Invitation Card

Invitation Card

Inaugurated by Her Highness Sheikha Omniya Al-Sabah

R to L: Fahim Hamid Ali, Ambereena Razvi, Princess Omniya Al-Sabah, Shebina Amlani (organiser), Rashmi Khanna Sahani

   

With Sheikha Awrad Al- Sabah

To view more works by Mr.Fahim, check out his website: http://www.fahimhamidali.com/sitepages/gallery.html

Fahim Hamid Ali stood at the table with his hands jammed into his pocket, his hair carelessly falling over his forehead, attitude - nonchalant... allowing us to wander around the gallery and view his art works..Shades of the earth, mineral and metal....reminding us of verses from Iqbal and Ghalib's poetry....A lone moon here and a lonely peacock there... A mysterious arch here and a hint of calligraphy there... His works are very soothing... almost minimalist, yet speak volumes.
After my parents and I introduced ourselves, we sat at a table in the corner of the gallery and discussed Art and poetry...He saw a couple of my works on my  iPhone and I suppose his 'trained eye' found them appealing....He asked me if I was ready for my debut exhibition... I was a little startled..." When do you want to plan it for?" , I asked. He said that May would be a good time for him...And that was it...
I thought the guy was bluffing...A few days later, I get an email from him....asking me if 30 of my works are ready to be displayed. I was seriously shocked.. This guy was really talking business now...I jumped up and ran to where my paintings were stored... I pulled out everything I had........ Wow...
My paintings were just lying in my huge portfolio case...Old calligraphies, still lives, landscapes, textured backgrounds...There were some incomplete works and some needed touching up.

I had to decide what theme to work around... The current scene of the world - political, emotional and spiritual is really something that needs to be reflected upon. So I pulled out my calligraphies. I'd done these while I was going through my noir (black) phase... Pierre Soulage and Hassan Massoudy were a huge inspiration. Most of these works were experiments, but now looked like complete masterpieces to me...

I decided to touch 'em up a bit. I had a series of 7 ( 70x100) calligraphic works in black and now my mind was bustling with ideas...I heard whispers in my head.. I could almost hear them telling me what to do...The injustice in this world is something I have always felt very passionately about....I cannot stand it. I find that I get depressed when I watch any sort of injustice happening... even more so when I find I can't do anything about it. So I decided that my painting would be a medium through which I could become a warrior of sorts... A silent warrior whose weapons were brushes, paints, sarcasm, paradoxes and wit. My armor would be  my spirituality, my faith and my love for humanity. Armed now, I began painting fervently

On an almost black background,I started a collage of very  negative words that have become a part of daily reading....Suicide, rape, terrorism, murder, political injustice, sectarian violence, etc. After the collage, I wrote 'Salaam' meaning 'Peace' in Arabic calligraphy over it, completely breaking the norms of elegance and fluidity... This was' noir' Art...black art...in every sense of the word...but through this blackness, through this negativity, I wanted to give a positive message. I feel that this world has forgotten the language of love. I figured, let's talk to the world in the current language of hate, negativity and aggression. This was my oxymoron...A positive message through an aggressive voice.
Would they get it?

'Salaam' - 'Peace' - A cry for peace
mixed media

In a world of Darkness, we have forgotten light, hope, peace and love. We have forgotten that Allah/God/Dieu/Ishwar/Jehovah  call him what you may - exists!...Darkness is always associated with evil...We have forgotten that HE is Omnipresent...and that when we are up to no good...hurting someone, thinking and feeling negative, and ignoring injustice- HE is watching, and giving us another chance... to undo the bad, to reflect and to refrain and to do good. Why then do we not listen to our inner voice?, which is essentially good! These paintings depict that very feeling.

اللهِ Allah
Acrylic and dried pastels
Sold

الله هو
 Allah hu - 'God is here!'
Acrylic and dried pastels

 نُوۡرٌ عَلٰى نُوۡرٍ‌ ؕ
Noorun 'ala noor - Light upon light
Acrylic and resin

الٓمّٓۚ
Acrylic  and oils

فَبِاَىِّ اٰلَاۤءِ رَبِّكُمَا تُكَذِّبٰنِ‏. هَلۡ جَزَآءُ الْاِحۡسَانِ اِلَّا الۡاِحۡسَانُ‌ۚ‏ 

 Which of the favours of your Lord, that ye deny?. Is the reward of goodness aught save goodness?

  اَللّٰهُ نُوۡرُ السَّمٰوٰتِ وَالۡاَرۡضِ

  Allah is the Light of the heavens and the earth
sold

The word of God.
Kun, Fa yakun.
Be - And it is.
sold

 We are all of the same soul...Created by the same creator....just cast in different molds and roles.

Life... withered

Union of souls - We are ONE

 I did this painting of whirling dervishes in the impressionist style while in a trance myself. I felt happy, submerged in love and content while doing this painting. The message here is that despite our many differences, we are the same from within... All of us fight the same battles within, and come out triumphant in some way or the other...We need to learn to find triumph in failure too.. Every soul must go through these tests to come out worthy of uniting with the Beloved.

Entranced

The Arabesque for me represents everything beautiful. It symbolizes, beauty, love, spirituality.. It's flowing form, timid tendrils and sensual curves represent for me the process of being encompassed by love, positivity and beauty.
The arabesques in the painting above (Entranced) signify the feeling of being engulfed by intense passion and immense serenity (during a 'sema') all at the same time. The colour purple represents spirituality and white represents purity, positivity and the soul. The hat stands for the tombstone....it goes on to tell us that once entranced, we go beyond death and become immortal....one with the Almighty.

In search for the Beloved

'In the orchard and rose garden

I long to see your face,

In the taste of Sweetness,

I long to kiss your lips,

In the shadows of passion,

I long for your love.

Oh! Supreme Lover!

Let me leave aside my worries,

The flowers are blooming

with the exultation of your Spirit.'

~ Rumi

This poem of Rumi really touched my heart.... and 'In search for the beloved' was born on canvas.

In a world where love and compassion comes rarely, I have realized that we need to first find it within ourselves, in order to share it with the rest of the world.

The battlefield within

I did this one in an hour, my mind torn into two extremes....it was done fast...in a frenzy.....I could never put them together aligned...proportionate....I find it proportionate, unproportionate...
There's a battle we fight within us every day.....keep fighting...there will be peace someday.

(PS: An award winning blog in Kuwait did a post about the exhibition. here's an excerpt:

I had written about the art exhibition 'Spiritual Reflections' by Ambereena Ali Razvi and Fahim Hamid Ali . My husband and I visited the exhibition yesterday at Dar Al Cid and we had quite an uplifting experience. A vibrant, charming and beautiful young Indian lady,  Ambereena who was raised in Kuwait, studied Fine Arts in Paris, currently working as an Art Teacher in Gulf English School, expresses contemplation, positivity, peace and an artistic representation of wisdom gained through spiritual reflections in her paintings. She had also exhibited works that involved textile designs. Some of her work also involved current social issues and peaceful solution depicted through art. 

I personally enjoyed all of Ambereena's work, as each had a special message or a hidden spiritual significance like one of the paintings depicted a subtle reminder to us, 'And how many of Lord's bounties will you deny?' Isn't it true that sometimes we have to remind ourselves of the numerous divine blessings in our life. A mystery verse, "Noor un Al Noor' - Light of Light, is another painting Ambereena would prefer visitors and viewers to decipher...What is darkness? what is light? What according to you is Light of light? Ambereena's paintings are beyond all human differences, in her words, we humans are all one...of the one and the same spirit. She is definitely a very talented and gifted artist.

http://kuweight64.blogspot.com/2011/05/art-exhibition-spiritual-reflections-at.html )

This work by Ambereena Razvi is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

My interview - Arab Times, Kuwait

I am....

reflection/contemplation

oil on canvas

 Self Portrait - The choice of Gold and blue arabesques in the background symbolize my thoughts...blue, representing calmness, purity and positivity and gold, representing divinity, spirituality and mysticism...

Closed eyes represent many things....an escape.....a quick nap while daydreaming (:P)....but on a serious note, closed eyes represent a much deeper meaning...I'll leave it for you to decipher.

`One day our descendants will think it incredible that we paid so much attention to things like the amount of melanin in our skin or the shape of our eyes or our gender instead of the unique identities of each of us as complex human beings`.  ~Franklin Thomas

 

Celebration of the human form

I sat on my chair with my easel in front of me, the nude model standing in the middle of the class... The card on my easel blocked out the model partially... or purposely...

I was in a situation where I didn't know where to look. Too ashamed to look at a completely nude woman (my culture and upbringing being very conservative), I was embarrassed...

My aunt, who is a fashion designer and professor at NIFT in India, had taught me how to draw a basic figure of a mannequin when I was little.... and not looking at the model standing in front of  me, that is what I was drawing... a tall, slim figure of a mannequin, not the beauty in front of me.

"Amber! Regarde la modele devant toi... regarde sa forme! qu'est qu'elle est belle!!" said Francoise, my professor/director of my school. She was asking me to 'look' at the model, appreciate her form, and find beauty in nudity, something that was the complete opposite of what I was taught in my culture, where the beauty of a woman is protected, cherished and nurtured, not displayed for all to see.

But this was a change I had to accept. I was in Art school. This was a subject I had to take. And eventually, I did start to appreciate the beauty of the human form.... And now I can say with surety - We truly are Allah's most beautiful creations. Whether fat or thin, dark or fair, freckled or smooth alabaster, I have seen and learned to find and appreciate physical beauty in spite of all its flaws and learned to praise our Creator even more.

(Paintings have been removed)

Painting in black and white acrylic on brown paper was interesting and painting in monochrome has always been my favorite style. To be able to deliver the effect of smooth skin in monochrome is challenging, but the results are very good.

Toulouse Lautrec, a French painter from the early 1900's was known for painting crowds and scenes of exciting Parisian night life. The 'Can- can' dancers from the Moulin Rouge were his favorite ladies and our model that day was dressed like one - a long white 'jupon', a black corset, fishnet stockings, gloves, aa feather boa and flaming red hair! She was an absolute pleasure to paint!

This work by Ambereena Razvi is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Ya Ali

"Oh, I desire a cup of wine from the Beloved's own hands.

In whom can I confide this secret?

Where am I to take my grief?

I have yearned a lifetime to see the Beloved's face;

I am a frenzied moth circling a flame,

A wild rue seed pod roasting in the fire.

See my stained cloak and this prayer-rug of hypocrisy;

Can I , one day, tear them to shreds at the tavern door? "

- Imam Khomeini

Ya Ali

Ya Ali (detail)

Ya Ali (detail)

I painted this 3 years ago, my mind saturated with words and sayings of Imam Ali from the Nahjul Balagha...My heart fluttered..... like a happy bird that flutters its little wings after a much awaited rain shower. 

This painting can be viewed in portrait or landscape...Viewed in portrait, you will read 'Ya Ali'. Viewed horizontally, you will read 'Allah'.

This work by Ambereena Razvi is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

My iPhone - an extention of my hand... and brain

 Two years ago, my husband bought me an iPhone after I believe, he saw that the numbers were falling off of the dial pad of my N95....first the '8' fell, then the '5' fell, and then my expression fell..and before I knew it, an iPhone fell into my lap..I'm sure you know how great that feeling is...and the best part?? It's liberated!!! In case you're wondering what I mean by liberated, I mean 'jail broken'. I don't like the sound and feel of the word 'jail-broken' ...It sounds criminal... :) .Therefore I've taken the liberty to replace jail broken with liberated.

After installing 'Installous', I haven't stopped downloading and upgrading apps.... it's brilliant.. it's like I'm carrying my personal library, my game room, my palette and canvas (itsy bitsy canvas) and much much more with me at all times....Only now, I have more apps for my toddler (which I let him use only before bed time) that include 'Talking Carl, Larry, Tom, Robie the Robot, Bacteria called John ( I wonder why they'd name bacteria John), Santa and T-Rex.", 'volt', 'bubbles', nursery rhymes, and numerous other finger stimulated stuff.

What has my attention mostly are the art apps. like 'Brushes,Art Studio, Sketchbook, etc. iArt, made so famous by David Hockney, is definitely worth a try for progressive artists like me. As much as I tend to gravitate more towards the old school style of painting, preferring to get my hands dirty, digital Art is also worth the shot.

My very first attempt on my iPhone was an observation drawing of a wild bougainvillea growth behind a dark green fence in front of my parking space at work. So while waiting for the traffic to subside, I decided to try my hand... I mean finger at some iArt. I'd think it'd be pretty easy for me, someone who has been working with the many 'Adobe' software for so long, but damn, I wish I had smaller fingers?!! I won't be surprised if in the next century (ie. if the world doesn't come to an end in 2012) we humans might grow an extra digit on our hands to work with touch-screen technology!!

Here are some of the works I attempted mostly while waiting for traffic to subside or when I have nothing better to do.

Many more works coming up. Watch this space ;)

Moonlit cherry blossoms

Bougainvillea

Aix en Provence : a beautiful experience.

Sept 5th, 1996:  My dad and I were sitting in the admissions office of l'Université d'Aix Marseille, and the lady behind the desk was trying to find me a host family (au pair - where usually a foreigner is welcomed into a French family where they are treated like a family member, which also means that they get to share household responsibilities. It'd also be easier to pick up French). 
We found a certain Mme. LeHyaric...An old lady whose income depended solely on au pairing. When we were at her place, I was introduced to two other foreign girls who very happily welcomed me into the family. Elena was American and Arantza was Spanish...I was given a pretty large room with a queen sized bed, a walk in closet and a view of the park. It had wooden flooring and all the essentials that I'd need.

It was afternoon and time for the Zohar-Asr prayer. My dad and I offered our prayers together in my new room. I asked him to bless it with more prayers while I went out into the lounge and spoke to the others for a while.

Later I went out with my dad and we had lunch together.. I was starting to feel this heaviness in my chest and a lump kept forming in my throat which I kept gulping down. My dad was leaving that evening and the feeling was killing me. Already saying goodbye to my mother was like being torn apart with bare hands. I'd been crying non stop for three days and missed her every time I saw something beautiful.... which was most of the time in Aix en Provence...

After we got back to my new home, my dad hugged me and walked out with tears in his eyes. I felt like such a baby!!! Arantza, who was much older than I and was like an older sister, smiled at me and consoled me. She took me out that night for dinner and we bonded. I was fine after that, but called home (Kuwait) at least twice a day.

In the small community that I belonged to, I was the first to pave the way for many girls to leave home and study in Europe or America. Parents used to freak out just sending their kids to India, but I can only thank my mother, who had the courage to send me so far away after putting all her trust in Allah and inculcating strong values and principles in me.

Faced with a new culture, a new language (and body language),surrounded by beautiful people who were enclosed in their own bubble...

I was sitting outside the room where I was to attend my very first French class, in the Université d'Aix Marseilles in Aix en Provence...the same université which was attended by the following greats.

• René Cassin – a French jurist, law professor, judge, and winner of the Nobel Peace Prize
• Paul Cézanne – a French artist and Post-Impressionist painter
• Gaston Defferre – Minister of the Interior of France: 1981–1984
• Toussaint-Bernard Émeric-David – a French archaeologist and writer on art
• Christine Lagarde – Minister of the Economy, Industry and Employment of France: 2007–presen
• J. M. G. Le Clézio – a globetrotting French author, professor, and Nobel laureate
• François Mignet – a French journalist and historian
• Frédéric Mistral – a French writer, winner of the Nobel Prize in literature
• Philippe Séguin – President of France's Court of Financial Auditors: 2004–2010
• Adolphe Thiers – 2nd President of the French Republic: 1871–1873 
• Joseph Pitton de Tournefort – a French botanist, notable as the first to make a clear definition of the concept of genus for plants

(courtesy:Wikipedia)

I was thinking "How do I communicate?... I wish I'd picked up some French in school"... but what the hell do you pick up when your teacher reads French and it sounds like some south Indian dialect?(no offence to south Indian dialects- I'm sure tulu would sound strange too if spoken in a French accent)...
My first acquaintance was sitting next to me. She was immaculately dressed in a tweed skirt, a white top and an argyle sweater. She had black leggings on and black platforms..She looked very 'Zen'..She couldn't speak English and I of course couldn't speak Japanese... and neither of us could speak French...So we started with the universal 'hello'...A smile...she bowed... " OK .. that's the first step.. now what?"... I introduced my self...placing my hand on my chest" I'm Amberina"... and then she did the same... "Fumi - from Japan." I was intrigued... It didn't take much to intrigue me now... Leaving home to come so far away ... every thing around me was intriguing...

In class, surrounded by people from practically every country...The pixie like Turk, Birgul , Duc , a shy and hard working Vietnamese, A stylish Mi Hyun- Korean, A devout catholic and almost fairy like Brittany from America, Tina, statuesque and graceful from Sweden, Alicia, with a bohemian air from Spain, Constanze , a  very serious but warm hearted and amiable German, Inge Birte with her spiked hair and mature attitude from Netherlands.... I loved this!!! It was amazing to be surrounded with so many different nationalities...Most of them could speak English but it was strictly discouraged...

There, at that moment, I realized how big this world is. After having lived a very cocooned life with my parents in Kuwait, this was a huge change, like a breath of fresh air...I had flown out of the nest.

After class we would usually wander into the courtyard. I'd usually head for the cafeteria and pick up a searing, hot cappuccino and a croissant. Little did I know that this was to become my staple diet for the rest of the year..

The architecture here is 12th to 17th century...The fountain in the center of the yard was beautiful....my eyes stopped to admire it...the stone work, the curves.. I was told by an older student later that Aix is known as the city of fountains..I love fountains.... I got my very own one now in my apartment...but this one has to be plugged in and its about the size of a bowl... Someday I'll have a huge one in front of my house, carved in stone just like the ones I saw in Aix.

But what really blew my mind was the fact that Paul Cezanne studied in this université, (He was forced to study law because his father was a lawyer. But being of a free spirit, and having a mind of his own, he discontinued  it and took up his passion - painting.) lived in this city, walked these streets. I had an attachment to Paul Cezanne thanx to my moms love for Art. When I was little, she'd lent me a little book with paintings to go through and asked me to pick one and reproduce it with my water colours. I remember I'd chosen one by Cezanne titled 'Apples, pears and peaches'

A month later, the université organized a trip to his atelier (studio/workshop). I was thrilled... more ecstatic, really.
I cannot forget that day. We were to meet in front of the université entrance and a van was to take us there. It dropped us off at a little distance from Cezanne's workshop. Amongst a spread of olive trees, as we kept walking, his atelier came into view...I wanted to run in (partly because it was freezing and partly because I was just too damn excited to walk into a space once occupied and breathed in by one of my favourite painters.)
The ambiance inside was romantic (at least to me). Dim sunlight filtered in through the clouds into the room, through the window...I started to rub my palms together to feel warm again, moving about in slow motion as a guide talked to us. I was eyeing one of Cezanne's well known painting 'The bathers', when the gentle patter of soft drizzle against the window beckoned to me....and when I looked through it, I was transported to a higher level of  thought and consciousness...A sort of gradual metamorphoses started to take place in my mind. For me, time actually stopped. I felt like there was no such thing as time any more.... no past, no future...only NOW...only this moment... and I felt like in this moment Cezanne would walk into his atelier at any second and resume the painting of the sculpture of a little boy. And what really caused time to stop, you might ask?.. It was the view. Framed by the window, was the Montagne St. Victoire. I had gone hiking there the previous week with a group of buddies...completely oblivious to the fact that this mountain was a source of both repose and torment to a great artist....And now as I stood drinking in it's beauty, for some bizarre reason (as time had ceased to exist for me) I felt as though while I was up there hiking and complaining how much my feet hurt, Cezanne was painting one of his numerous paintings of Mt. Sainte Victoire. I felt like I was a speck in one of his paintings, a brush stroke, a pixel that formed a masterpiece.

Mt. Sainte Victoire - Paul Cezanne.

Upon returning to the université, I was both exhilarated and depressed. Exhilarated, because I was now on a higher level of consciousness. Depressed, because I'd no one to share it with. I missed my mom at this point. She would totally understand me...
While walking into the courtyard with my hands jammed into my manteau's pockets, I heard someone playing the piano...I have always wanted to play the piano...I have a very good ear for music, but never had the chance to learn under a teacher...I wandered into a hall, following the music and found the source. It was Fumi. I could hardly see her behind the piano. She was so petite. Her tiny hands ran across the keys like magic.Every note she hit was like a word and the music was starting to form sentences. It was her own composition and she was telling the world how lost she felt here. Or maybe she was also going through what I just went through - A gradual change; and her way of expressing it was through music. I sat on the bench not far from her. By now we had become good friends. She must have felt my presence and she stopped. I wished she hadn't. She flashed her shy smile which failed to reach her eyes. I smiled back. I wished I could do something to uplift our moods, so I started playing 'chopsticks' on the piano. Fumi burst out laughing 'coz I was messing it up.

I heard someone else laugh then...I looked around and saw an attractive face. She almost looked Indian."Wow, you guys are so talented... I wish I could play the piano" she said in French with an American accent and introduced herself as Maria. She was Mexican but lived in LA. Extremely shy, Maria is also one of the few people I know who can love unconditionally.
We talked some more and decided to take a walk on Cours Mirabeau, an avenue bustling with happy people in terrace cafés, a path lined by trees on both sides, embellished by bubbling fountains of warm and cold water. We were engulfed with a feeling of joie de vivre. It's an infectious feeling. We walked for about half an hour and stopped near the famous 'Cafe Deux Garcons' - a cafe that has the names of Cezanne and Emile Zola (brilliant writer) attached to it. We decided to stop for a hot chocolate and chill at the famous hang out of these two great minds. That same feeling engulfed me once again.. I felt as though Cezanne and Zola were walking down in the opposite lane of book shops and would enter 'les deux garcons' any minute. I shared this view with Fumi and Maria, and they looked at me like I'd lost it. Maybe I had.
It's amazing what Art can do to you.... and it's best to keep ones feeling to ones self. If I was the highly sensitive, crazy one, Maria had the loving and caring heart, like a warm Tuscan day, and Fumi had the calm and quiet mind like cool, still waters (for now at least).

A week later while walking out of the university, on a notice/advertisement board, I saw an ad. of someone who needed Hindi lessons. I found this quite bizarre. I jotted down the number and decided to call after I went home. At home, after a dinner (again) of overcooked(burnt on the outside) and undercooked (still slimy and runny on the inside) omelette (I know, it really was gross) made by the my old land lady, I sneaked a couple of flavoured yoghurt into my room and ate that, so I wouldn't die of starvation. I dialled the number I'd copied down on my forearm and spoke to Sylvain. He sounded like a nice guy. He spoke  English with a heavy French accent. My French was not yet that good, so we had decided that I'd teach him Hindi, provided he gave me extra help with French i.e. conversing. We decided to meet the next day at an appointed time. Sylvain turned out to be an extremely interesting guy, with vivid blue eyes and longish chestnut hair, tall and gangly, with a hippy-ish air about him. I knew we'd hit it off the minute I saw him. Sylvain turned out to be someone completely in love with India. He was a dedicated yogi and would meditate everyday. His eyes were impossible to look into (that had really freaked me out coz I believe in maintaining eye contact with whoever I'm talking to.)  due to the yoga and meditation techniques he followed religiously. He'd go to India every summer and stay in Benaras with his guru for a couple of months.
I started off with my very first Hindi lesson. अ, आ, इ, ई, उ, ऊ...(my high school Hindi teacher - Mrs Raj Johri would be so proud  of me even though she didn't like me). He said then that he already knew the vowels..and asked me to start off with consonants.. So I started off with क, ख, ग, घ...,and eventually about a month later, he was able to write words... Sylvain introduced me to 'Gaston Lagaffe', who remains till date, my favourite comic character. I have a little Gaston figurine that I have given my son now. He calls him 'Gusgus'.

Another experience I can never forget was when I had gone for a Flamenco performance by  the celebrated Spanish danseuse, actress and choreographer, Cristina Hoyos. It was Arantza who made the plans and I was so glad I went. It was the first time I'd be watching a live flamenco performance, and I'd always loved this form of dance, which can only be defined as full of raw passion, grace and rhythm... and at a certain point, it's almost a spiritual experience.
WE found our seats in the hall and started to chatter excitedly, when suddenly the lights went out and everyone went silent. (If this was India, it'd get noisier and a riot would start :P).
On the stage, a single, soft beam of  gold light fell upon a man dressed entirely in black, sitting on a cube like stool, his wild curls falling on his beautiful, olive skinned face. Keeping his head low, he started to sing in a heavy, husky, rustic voice. It was of course in Spanish. There was no music to accompany him and none was needed I believe,  for his voice was so pure, so sincere, so heart piercing... that for the life of me, I couldn't stop my tears from falling. He sang for a good 10 minutes, and the only thing I could think of was Kerbala.
He then started to add a beat to his tune by drumming on the base of his seat with his hands... and very softly, two more beams of light appeared on stage and there were two beautiful flamenco dancers  who started to move sensuously to the beat of the rhythm created by the singer, their hands, creating mass hypnosis. Only when the guitar started, did Cristina Hoyos enter and completely took over... This experience completely moved me... and again, I wished my mother was sitting next to me, for I'd have loved to share this experience with her.
There are so many more incidents I'd love to put up here, but this is already gotten very long..
Though I'm in touch with Maria online, and have just found Sylvain online too, I have lost touch with Arantza and Fumi. I hope where ever Arantza is, that she is married to the love of her life and where ever Fumi is, I hope she is well, still playing the piano and composing happy notes. I think of her on cool, breezy days, because the  black Zen bell she'd gifted to me for my birthday still hangs in my balcony. Whenever it tinkles, I think of our silent conversations and send her positive thoughts.
As for Cezanne, He has always been an inspiration..If he wasn't good at realism, he was the best at capturing moods and temperatures in any given ambiance.
I sure hope I'll be able to return to Aix en Provence one day... a heavenly little place I know like the back of my hand.



This work by Ambereena Razvi is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.